Freya Skye Turns Kentish Town Into A Pop Coronation
- Alan Bryce
- 1 day ago
- 3 min read
O2 Forum Kentish Town - 5th March 2026
WORDS / IMAGES ALAN BRYCE
“This wasn’t just a gig — it felt like the exact moment a rising pop star becomes a headliner.”
There’s a certain buzz that surrounds a gig when everyone in the room senses something bigger is happening. On 5 March 2026, inside the packed walls of the O2 Forum Kentish Town, Freya Skye delivered precisely that kind of night.
Before the main event, support act Adrian Lyles warmed up the growing crowd with a polished, easygoing set that proved a perfect tonal match. His melodic pop tracks and relaxed stage presence gradually won over early arrivals, the applause growing louder with each song. By the time his set wrapped, the venue had shifted from warm-up chatter to full anticipation.
The London date on her Stars Align Tour had sold out weeks in advance, drawing a crowd that felt more like a fan community gathering than a casual gig audience. From the moment Skye stepped on stage, greeted by a wall of screams and glowing phone screens, it was clear the connection between artist and crowd was already firmly cemented.
Opening with the sharp immediacy of “Can’t Fake It,” Skye wasted no time pulling the crowd into her orbit. The early stretch of the set — “Petty,” “Walk Over,” “Why’d You Have to Call?” and the unreleased “Bad Taste” — hit with confident momentum, each chorus instantly echoed back by fans packed shoulder-to-shoulder near the barrier.
Skye’s stage presence feels refreshingly natural. She chats easily between songs, laughing with the audience and sharing quick reflections without ever letting the energy dip. The effect is that rare live balance: a performance that feels both polished and personal.
Visually, the Stars Align Tour avoids the trap of overproduction. Instead of overwhelming visuals or constant spectacle, the show leans on subtle lighting changes and minimal staging. It keeps the focus firmly on Skye’s voice, the songs, and the atmosphere in the room — creating a performance that feels communal rather than choreographed.
Mid-set, the pace softens just enough to reveal a deeper emotional layer. “Who I Thought I Knew,” “London,” and “Someone to Love” introduce moments of reflection, the audience falling into near silence as they listen. It’s a testament to Skye’s growing songwriting confidence that these quieter moments land just as powerfully as the upbeat tracks.
Of course, the final stretch brings the pop fireworks.
By the time “Golden Boy,” “My Own Way,” and the euphoric “Silent Treatment” arrive, the room has transformed into a sea of voices. Nearly every lyric is shouted back at the stage, the energy bouncing from balcony to barrier.
Yet one of the most striking elements of the night isn’t the production or even the setlist — it’s the crowd.
The audience at the O2 Forum Kentish Town skewed young, many clearly attending one of their first live shows. That brought a rare kind of enthusiasm: handmade signs waved above the crowd, choruses were screamed with joyous abandon, and emotional moments were met with total attention rather than background chatter.
When Skye returned for the encore with “Gold’s Gone,” the venue erupted one final time. As the lights came up and fans filtered into the London night, the feeling lingered that this show marked something important.
Because while the O2 Forum Kentish Town is a milestone venue for emerging artists, Freya Skye already looks ready for the next step.
And judging by this night, London will be waiting.
SET LIST
Can’t Fake It
Petty
Walk Over
Why’d You Have To Call?
Bad Taste (Unreleased)
Who I Thought I Knew
London (Unreleased)
Maybe Tomorrow
Someone to Love
Golden Boy
Lose My Head
My Own Way (from Zombies 4)
Silent Treatment
ENCORE
Gold’s Gone
FOLLOW FREYA SKYE
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