Interview - Magnetic Skies on ‘Everything’s Alright’ and the New Album Fragments

Interview: Magnetic Skies on ‘Everything’s Alright’ and the New Album Fragments

Interview by Desh Kapur

With their long-awaited sophomore album Fragments set for release on 7th November, Magnetic Skies are closing this chapter in dazzling fashion with their epic final single, ‘Everything’s Alright’, out 17th October. The track radiates hope and euphoria, pairing the band’s signature darkwave intensity with shimmering synthpop optimism. Ahead of the release, All Music Magazine UK’s Dsh Kapur caught up with frontman Simon Kent and the band to discuss the making of this powerful single, the emotional core of Fragments, and how Magnetic Skies are carving their own path through the modern synth landscape.

All Music Magazine UK:

Congratulations on the upcoming release of ‘Everything’s Alright’ and your new album Fragments! How are you feeling as this next chapter of Magnetic Skies is about to unfold?

Simon (Magnetic Skies):

Thank you! We’re really excited to share the album – we’ve poured our hearts into creating songs that we’re extremely proud of. In many ways, this release feels like a moment of letting go, allowing the music to connect with listeners in its own way. It also gives us the space to reflect and think about where we want to go next creatively.

All Music Magazine UK: ‘

Everything’s Alright’ has been described as the most hopeful track on the record — a song about reclaiming joy and presence. What inspired that optimism in a collection that otherwise explores the fractured nature of the modern world?

Simon:

Although many of the songs explore themes of fracture and decay, they also carry a sense of hope — that resolution is possible. The inspiration for Everything’s Alright came from real life: those fleeting moments of joy when you lose yourself and all the outside noise disappears. It felt important to include a song like this towards the end of the album — a moment of light that offers hope.

All Music Magazine UK:

The production on ‘Everything’s Alright’ is massive — thundering bass, layered synths, and those haunting vocals from Jo at the end. Can you walk us through how that sound came together in the studio?

Simon:

This song actually took longer than any other to get right in the studio, especially in terms of how it sat alongside the rest of the album. I had a demo quite early on in the writing process, but because it’s the most lyrically upbeat track on Fragments, we felt it needed a big, bold sound to match that sentiment.

I was drawn to using more traditional bass and guitar sounds, which went against the overall sonic direction of the album — so it took some time and experimentation to find the right balance. We went through a lot of re-workings, trying different bass approaches — from classic sequenced synth bass to more traditional bass tones with varying levels of overdrive — until it finally felt right.

As the mix evolved, we made sure the synths remained prominent and supported the emotional feel of the song. Jo’s vocals at the end were recorded very quickly — just three or four takes. It really brought a haunting, human edge to the track that completed the overall feel.

All Music Magazine UK:

Fragments feels thematically ambitious, exploring ideas of identity, intimacy, and meaning in a fragmented world. How did those themes emerge during writing — was it something you set out to capture, or did it evolve naturally as the songs took shape?

Simon:

The concept behind Fragments began with exploring the breakdown of things that once gave us a sense of security and belonging in the world. Rather than setting out with a specific theme in mind, the songs evolved naturally as I processed that feeling of disconnection. I was drawn to the things that give us meaning — like identity, intimacy, and connection — and those themes emerged as a response to the chaos, pointing to what can still hold us together.

All Music Magazine UK:

Compared to your debut Empire Falling, Fragments feels even more expansive and cinematic. What lessons or creative shifts from the first record informed the making of this one?

Simon:

With Fragments, we were much more intentional about creating space in the music. One of the key things we learned from making Empire Falling was how important it is for atmosphere and emotion to support the lyrical themes — but also how density can sometimes cloud that. So this time, we focused on stripping things back and letting individual elements breathe. That openness allowed the emotional core of each song to come through more clearly, which naturally led to a more expansive, cinematic feel.

All Music Magazine UK:

You’ve built a reputation for blending darkwave intensity with the melodic warmth of ’80s synthpop — “familiar yet futuristic.” How do you strike that balance between nostalgia and innovation in your sound?

Simon:

Because analogue synths are such a central part of our sound, it’s natural that people connect what we do to the ’80s. That era definitely influences us, but we’re not trying to recreate the past. Our approach to production, arrangement, and songwriting is rooted in a modern sensibility. We’re always looking for ways to push the sound forward, whether that’s through layering, structure, or emotion. That balance between the familiar and the futuristic comes from respecting where the sound came from, but not being restrained by it.

All Music Magazine UK:

You’ve mentioned moments of clarity, love, and transcendence running through Fragments. Is there a particular song on the album that feels like the emotional heart or turning point for you?

Simon:

Back to Life really captures the emotional heart of Fragments. It’s a response to living in a world that’s more digitally connected than ever, yet increasingly isolating and fragmented. It’s a call to action to reconnect with what really matters, and that would be the main message from this album.

All Music Magazine UK:

The live element of Magnetic Skies has grown steadily — from supporting acts like Heaven 17 and Empathy Test to now embarking on your first UK headline tour. How do your songs transform when performed live?

Simon:

Playing live adds a new energy to the songs — they become more dynamic and emotional. We want to create a connection where the songs aren’t just heard but felt. We want the audience to lose themselves in that shared experience — to leave with something that stays with them after the performance.

All Music Magazine UK:

You’ve produced and mixed much of your music yourselves, with some collaboration from Rob Aubrey. What do you enjoy most about having that creative control, and how does it shape the final sound of Magnetic Skies?

Simon:

With Fragments, we had a very clear vision of how we wanted the album to sound, and producing it ourselves meant we could fully realise that without compromise. Having that creative control allows us to shape every detail — so the final sound truly reflects who we are as a band. Rob Aubrey, who engineers and co-produces everything we record, plays a key role in that process. He understands our sonic direction and instincts incredibly well, which makes him an ideal collaborator.

All Music Magazine UK:

Looking ahead — beyond Fragments — where do you see Magnetic Skies heading next? Are there new sonic territories or themes you’re already eager to explore?

Simon:

We’re already experimenting with potential new directions for the future, and the next album will definitely sound different again. We’ve always been very clear that each album should be seen as an opportunity to explore new ideas and sounds — there would be little point in repeating exactly what we’ve already done. Lyrically, there will always be a sense of honesty and truth, and the subject matter will likely always reflect the things that move me in some way. It’s exciting to see where the next journey takes us!

Outro

With Everything’s Alright marking a euphoric close to this era, Magnetic Skies are ready to bring their expansive synth soundscapes to life on their first UK headline tour this November — with dates in Birmingham, London, Southampton, and Glasgow.

Their new single ‘Everything’s Alright’ is out 17th October, followed by the highly anticipated album Fragments on 7th November.

As Simon reflects:

“Fragments is about trying to make sense of a world that feels increasingly fractured — but at its heart, it’s about finding connection and light through it all. And that’s something we all need right now.”

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