Intimate, Electric, Unforgettable Twinnie Ignites The Lexington
- Alan Bryce
- 4 minutes ago
- 4 min read
The Lexington London – 21st March 2026
WORDS / IMAGES ALAN BRYCE
The Lexington in London became the backdrop for a night that showcased exactly why intimate live music continues to hold such unmatched power.
Twinnie’s bold blend of pop, Americana, and emotionally honest storytelling has won her an ever growing and devoted audience. Tonight, she delivered a performance that was meticulously crafted, deeply heartfelt, and irresistibly engaging. With a strong support act and a crowd buzzing with anticipation from the start, the evening felt less like a conventional gig and more like a shared celebration.
The show opened with a beautifully warm and engaging set from Bonner Black, who immediately captivated the room. Her emotive vocals and thoughtful songwriting paired with a relaxed ease on stage, creating a palpable intimacy that set a perfect foundation for the night ahead. Bonner’s presence was far from a typical support slot, her charm and musicianship held the audience’s full attention and earned genuine appreciation, leaving The Lexington energised and ready for Twinnie’s arrival.
As Twinnie stepped onto the stage, an immediate wave of cheers and excitement filled the packed room. Her natural charisma, already a defining part of her artistry, felt amplified in the close quarters of The Lexington. Every smile, gesture, and emotional beat resonated clearly, making the space feel smaller in the best possible way.
Her vocals were exceptional throughout: silky and nuanced in tender moments, then soaring with effortless power during the bigger choruses. She moved with ease between vulnerability and boldness, giving each song emotional depth and narrative weight.
Though the written setlist (shared below) did not match the order the songs were performed in, Twinnie delivered a beautifully paced mix of fan favourites, emotional standouts, and new tracks.
Some notable highlights included: “Worst Kind of Crush” Upbeat and energetic, the song quickly lifted the room and drew an enthusiastic response from the crowd.
“Daddy Issues” Performed with clarity and focus, it held the audience’s attention and highlighted Twinnie’s strong lyrical delivery.
“Hollywood Gypsy” Presented with an easy, reflective feel, it became one of the early points in the set where the audience joined in naturally.
“Dirty Dancing” Bright and lively, it encouraged movement across the room and prompted plenty of crowd participation.
“Old Friends” Delivered with a gentle touch, it created a noticeably quieter moment that resonated strongly with listeners.
“The Winner Takes It All” (ABBA Cover) A confident, well executed rendition that drew an especially warm reaction from the audience.
“Thank Me Later”A well chosen closer—polished, uplifting, and bringing the set to a satisfying finish.
One of the night’s most memorable surprises came when violinist Natasha Petrovic joined Twinnie partway through the set. Her arrival shifted the sonic landscape instantly. The violin’s expressive, warm tone intertwined beautifully with Twinnie’s vocals, adding an almost cinematic richness to the arrangements.
The songs that Natasha accompanied Twinnie on gained an entirely new emotional dimension with Natasha’s melodic lines weaving through them. Her playing brought both tenderness and dramatic flair, enhancing the atmosphere and drawing murmurs of delight from the crowd. It was a collaboration that felt organic and inspired—one that elevated the performance significantly.
A central part of the night’s magic came from the audience themselves. This was not a passive crowd, they sang with passion, laughed with Twinnie, applauded mid phrase, and leaned into every emotional shift. Their enthusiasm created a powerful feedback loop that heightened the entire performance.
At times, the venue felt more like a gathering of friends than a room full of strangers. Twinnie acknowledged this warmth repeatedly, her gratitude shining through in smiles, playful comments, and genuine moments of connection. Her acknowledging some of the fans by name shows the level of connection she has with some of those in the room. Artist and audience seemed to move in emotional sync, making the performance feel profoundly unique.
As Twinnie approached the end of her set, she performed with the conviction of an artist who had poured every ounce of energy and emotion into the night. The final songs brought together everything she does best: vivid storytelling, heartfelt vulnerability, and genre blending creativity that feels entirely her own.
When the show concluded, fans stayed behind, buzzing with excitement, sharing favourite moments, and basking in the glowing after show atmosphere. It was the kind of night that reminds you why live music matters and why artists like Twinnie resonate so deeply.
Twinnie’s Lexington show was a triumph, intimate yet commanding, emotionally rich yet filled with fun. With Bonner Black’s beautiful opening set, Natasha Petrovic’s inspired violin contributions, and an audience full of energy and affection, the night showcased an artist thriving within her craft and poised for even greater momentum.
Setlist (Not Played in the Written Order)
Midnight Company
Worst Kind of Crush
Don’t Need a Cowboy
Daddy Issues
Hollywood Gypsy
Wild One
Full of Myself
Something We Used To Say
Meant Something
Just Like Earl
Dirty Dancing
Giddy Up
I Told You So
Old Friends
BWID
The Winner Takes It All (ABBA Cover)
Thank Me Later
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